We live in an ocean of air. When air first filled your lungs, everything changed. Without air, birds would plummet from the sky, plants would wither and we humans would suffocate. As we breathe in and out, air mingles with our bodily tissues, filling the lungs and oxygenating the blood. Air knows no borders.

Why do we submit to mob rule? We like to think of ourselves as rational, responsible individuals, in charge of our lives and destinies, but sometimes a cluster of beliefs and rumors overpower individuals and collective instincts take charge.

‘Civil Dusk’ is a walk-through installation using screens and projections. It features two interlinked short films on belonging, and (post)-migration experiences.

‘Climate Symphony’ is a live music and visual performance that creates an emotional journey through the most beautiful tragedy of human existence. This is the sound of a dying planet and our transient position in it. The situation has never been more critical. In 2016, we passed the point of no return. It is already too late.

Closed borders, lockdowns and restrictions have separated us during the pandemic. Now it is time to connect, to process the experience together and look ahead. ‘Connections – No One Is an Island’ invites you on an interactive global journey through the Corona era and the emotions that connect us.

Dark Origins is a 3-part VR journey to the edge of scientific knowledge, inviting people to experience the contested origins of life deep inside the Earth.

This project focuses on the Druzhba pipeline system, also referred to as the ‘Friendship Pipeline’ – the world’s longest oil pipeline, stretching 4,000 km across Russia.

“Ecologies of Memory” is an interdisciplinary project that uses the creative potential of memory – both human and non-human – to investigate the possible connections and exchanges between ecosystems, cultures of remembrance and sensor-technology.

‘Exploring Borders’ is a VR experience designed for multiple users at the same time. This project allows the visitors to experience the in-between, where creativity lays, and to see the border as a hyphen.

What is it like to carry around trauma in your day to day life? How does this affect your ability to relate to other people? ‘Flee VR’ is a surreal, narrative VR experience that aims to impress the consequences of this fact upon the user, in a safe and relatable environment.

Garden of Ghost Flowers is a group participatory mixed reality installation where plants have evolved traits as a protective mechanism to nudge humans to realize their evolutionary importance.

HUSH is a 10 min. sensory VR-installation that lets you be the subject of a myth. You will experience a call from the sea, that invites you to let go of the physical world. The real world will literally wash away, submerging you in a mysterious, yet comforting world under water. A world that seduces you with the promise of an eternal home in the abyss.

‘Kvöldvaka’ is a playful Augmented Reality experience inspired by Icelandic folklore. A frustrated representative of the Hidden People wants you to rediscover a lost relationship to nature. If you’re worthy, you’ll find it.

‘MIMIC’ is an interactive web documentary that builds a collective portrait about our evolving human relationship with artificial intelligence.

Missing 10 Hours VR is a computer-generated, multi-ending, multi-user virtual reality piece. In the accompanying documentart film, Krisztina is going on a quest to find out what happened to her 10 years ago when she was drugged by two strangers in Denmark.

An immersive hiphopera and VR experience, which places the audience member at the centre of a futuristic adventure story about climate change. The project mixes musical styles and genres, combining live performance with a distinctive graphic world. ‘Munkination’ won the inaugural Royal Opera House/GUAP Immersive Opera Award in 2019.

In the current climate of the Internet, we have reached an irreversible state in our social life and inherently the way we think and comprehend our reality. It’s a situation we have all dived into, floating and yet struggling to find ourselves in it.

Set in Bolivia’s infamous San Sebastian jail, Prison X is an interactive arcade role-play documentary, hand-painted in VR. Heavy doors open up and suck you in as a world of Neo-Andean magical realism swirls around you and where you have to keep the devil drunk to survive inside the prison.

‘Resorts’ takes you on a beautiful deconstructed holiday where you are free to study the human tourist as a species and get an up close perspective on the complexities of the tourism. How do we behave when we lay roasting on the beach, party like there’s no tomorrow or take the perfect selfie in the desert?

Experience yourself as Homomicrobis – a symbiosis of human and microbe – as you embark on a guided journey into the multispecies dimension of your body, from the comfort of your home.

‘Symbiotica’ takes place in an online interactive Virtual Reality Hub and through a series of  Augmented Reality filters, that allow participants to embody different microorganisms and discover the message that lichen – a collective entity made of many species – has for humanity.

The primary goal of this experience is creating awareness, empathy and a space for difficult conversations to take place and challenge these honour narratives, rampant in most of the developing world, by sparking debate

‘The Smallest of Worlds’ is an immersive archive composed of people’s most personal places and intimate moments during their home quarantine.

‘You Can’t Watch This’ is an immersive and interactive audiovisual installation, based on sound AR; a poetic true crime podcast; a flat / 2D film investigating the aftermath of the story.