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      11. – 22. March 2026

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          Still Point, Turning World

          Ben Joseph Andrews, Emma Roberts, Gilles Jobin & Susana Panades Diaz / Emma Roberts & Ben Joseph Andrews / Australia & Switzerland

          An intimate audio-visual performance exploring the infinite complexity and interconnectedness of our ever-moving world, framed through the chronophotography of Étienne-Jules Marey and the lived experience of disabled artist Ben Joseph Andrews.

          Man walking
          Man jumping
          Man running as the planet spins at 1670 kilometres per hour.

          Artist Ben Joseph Andrews lives with a vestibular disability in which his body reads external rhythms and currents of movement (the rush of a passing car, the ripple of the leaves in the wind) as his own, along with retaining motion memory of past actions. These conflicting signals often lead to debilitating vertigo, dizziness and misbalance – but also mean he is hyper-attuned to the myriad nested ecologies of movement we exist within and leave behind.

          Still Point, Turning World is a motion-responsive immersive performance rooted in this experience, reframing the mechanics of human locomotion into a meditation on embodiment and perception. Drawing on the foundational visual language of pioneering 19th-century chronophotographer Étienne-Jules Marey, Still Point reclaims and recontextualises the movement study – not as scientific dissection, but as radically intimate self-portraiture – by placing the disabled body at the centre.

          Led by Ben as solo performer in motion capture (a technology itself descended from Marey’s research), Still Point Turning World weaves together personal storytelling, crip tech and history to explore the beautiful impossibility of separating ourselves from our environment.

          Still Point, Turning World

          Ben Joseph Andrews

          Lead Artist

          Biography

          Based on Wathaurong Country (Australia), Ben Joseph Andrews is a multi-award-winning new media artist working in immersive mixed/extended realities (XR) — with a focus on multi-modal installations and performance. His work has screened around the world including at Venice Film Festival, Sundance, SXSW, IDFA, the Australian Centre for the Moving Image, MIT, the Wales Millennium Centre and Undershed Bristol. Interested in the liminal role of the body in XR, Andrews’ work often explores the spaces between the physical and the digital.

          Still Point, Turning World

          Emma Roberts

          Lead Artist

          Biography

          Emma Roberts is an XR artist based on Wathaurong country in regional Australia. Formerly a producer at Atlas V and Albyon, where she led R&D for Meta, her work as an independent includes durational installation Gondwana (Sundance, SXSW, CPH:DOX 2022) and mixed reality experience Turbulence: Jamais Vu (Winner: IDFA DocLab award for Best Immersive 2024). In 2022 she was named one of Screen Producers Australia’s Ones to Watch. Passionate about education and skill-sharing in XR, she has mentored on labs such as CPH:LAB, Adelaide Festival’s Expand Lab, and the Australian International Documentary Festival’s Doc.Lab.Interact program

          Still Point, Turning World

          Gilles Jobin

          Director

          Biography

          Gilles Jobin is a choreographer living and working in Geneva whose productions have toured around the world since 1995. Known for breaking established aesthetic frameworks, he received the Swiss Grand Award for dance in 2015 and since 2022 has focused on technological innovation in his work, combining motion capture, virtual reality and live-streaming components with live performance. His work in this space has shown at Sundance, Venice, the Lyon Dance Biennial and the Brooklyn Art Museum. Gilles’ company studio is structured as an affordable research and production center for mo-cap and digital tech frothe point of view of performing arts

          Still Point, Turning World

          Susana Panades Diaz

          Director

          Biography

          Susana Panadés Diaz trained in classical and contemporary dance at the Institut del Teatre in Barcelona (1989–1996), then at P.A.R.T.S. in Brussels (1996–1999) under the direction of Anne Teresa De Keersmaeker. She has been a performer with Cie Gilles Jobin since 2005, and her role expanded with the company’s shift to digital in 2016 to specialise in motion capture from the dancer’s perspective, refining the translation of movement into digital environments and acting as a link between dancers and technologists.