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      11. – 22. March 2026

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          PANDORA

          PANDORA

          Julie Sanchez, David Laposi, Najla Barouni, Julie Sanchez & David Laposi / Héloïse Noé & Carole Mirabello / France

          An interactive phone-based film app where viewers enter the phones of five real Gen Z characters. Across 20 chapters, we uncover their online lives through their digital footprints (texts, searches, voice notes, scrolling) revealing what they show, what they hide, and how mental health runs underneath it all.

          We enter the app and gain access to their phones, navigating recreated smartphones built from real material gathered over months: screen recordings, social activity, messages, searches, notes, photos, voice notes, so everyday digital reflexes become narrative.

          Each journey begins with a short presentation video filmed offline, introducing the person behind the screen: their voice, their environment, the people around them, what they want, what they carry. Then the phone unlocks and the experience moves fully into their digital life.

          Structured as 20 immersive chapters, PANDORA follows a storyline rooted in true events while keeping navigation open at all times. We can jump between apps, return to the home screen, follow a thread, ignore a notification, switch characters, or explore side paths. The story doesn’t change: our way into it does.

          Their online lives fill the screen: friendships, love, family pressure, ambition, money stress, identity, humor, desire. Running underneath, mental health is present in what the phone reveals: patterns, silences, coping habits, impulses, contradictions between what is shared and what is felt. We also document their online therapy journey: individual sessions and a group process bringing all five together: often the first time they ever try therapy. Therapy won’t appear as “therapy scenes”; instead, its impact becomes visible through what surfaces on the phone: videos where they speak about it, evolving selfies, voice notes, changing routines, subtle shifts in tone and confidence. Mental-health content may also appear inside the phones through short therapist reels and psychologist-led podcast moments, offering context without turning the experience into a lesson.

          PANDORA turns the smartphone into a living archive of a generation: and a mirror for the viewer. As we navigate these devices, we witness identity being built in real time: performed, protected, edited, leaked. The experience shifts our gaze from content to signals: habits, silences, repetitions where mental health can become visible without being named: avoidance, sudden reach-outs, bursts of connection, abrupt absences.

          In the end, the phone is not only a window into their stories, but a way to reconsider our own. If a device can map a life so precisely, what does our own digital footprint say about how we’re really doing?

          PANDORA

          Julie Sanchez

          Director

          Biography

          Julie Sanchez Wawrzyniak is a French-Spanish filmmaker and former lawyer based between France and the Middle East. Her films blend fiction, documentary, and hybrid forms to explore human experiences, emotions, and connections, showing how individuals navigate mental health challenges, identity, relationships, and resilience, a perspective shaped by her bachelor’s studies in psychology. Her work has been showcased on France TV and at the Cannes 2024 Short Film Corner, as well as festivals across Europe, the Arab world, and South Asia. Winner of the UAE Screenlife Accelerator 2024, she is developing her debut feature in the screenlife format.

          PANDORA

          David Laposi

          Post Production

          Biography

          David Laposi is a Budapest-based director, editor, and Dolby Vision certified SDR/HDR colorist. With degrees in Motion Picture Making and Motion Picture Arts, he began his career as an editor before expanding into directing and color grading music videos, commercials, and features. He has worked as a DIT and dailies operator on several productions and founded the Color Accelerator program, which has trained over 150 filmmakers. His work blends technical precision with a strong cinematic sensibility.

          PANDORA

          Najla Barouni

          Lead Artist

          Biography

          Najla Barouni is a French-Tunisian actress, director, and writer. She has appeared in feature films including Monkey in a Cage (TIFF World Premiere) and Stone by Karim Berhouma, selected at the Carthage Film Festival. She writes and directs award-winning fiction and documentary films. Najla is currently developing her first feature film Bye Bye Baby and her second feature film The Cage of Birds. Her projects have been developed through international residencies including Cinéphilia, the Institut Français de Tunisie, and CPH:DOX.