I am everything + They Know We Know They Lie + W.O.M.B. + 4.48 Dysphoria + Movement

Jeppe Lange, Isabella Solar Villaseca, Lou Mouw, Julienne Doko, noah holtegaard & Benjamin Muasya / Denmark & Sweden / 76 min

In Jeppe Lange’s ‘I am Everything’, an artificial intelligence develops self-awareness and reflects on humanity’s moral codes and social structures.

Artist couple Isabella Solar Villaseca and Lou Mouw’s ‘They Know We Know They Lie’ is a performative video work that analyzes the complex relationship between urbanity, economy and memory.

Dancer, choreographer and artist Julienne Doko invites us in ‘W.O.M.B. (Worth of My Body)’ to reflect on the body’s ability to change through the different cultural perceptions of motherhood. 

Noah Holtegaard’s video work ‘4.48 Dysphoria’ is created in response to a play by Sarah Kane, and addresses gender non-conformity and queerness past and present.

‘Movement’ is a tribute to the dance floor and underground clubs as a place that celebrates freedom and diversity, defying the pressure of norms and systems.

I am everything

Jeppe Lange / Denmark / 2025 / World Premiere / 10 min

Using art history and the internet’s infinite image archive as building blocks, Jeppe Lange (‘Abyss’, CPH:DOX 2022) has created a thought-provoking and subtly funny work in which a (fictional) artificial intelligence developing self-awareness looks at humanity’s moral limitations with a new perspective. Just as the spectra of light and sound extend beyond human perception, the AI discovers a mental spectrum far greater than any individual mind can comprehend, creating an unprecedented connection between technology and nature’s hidden patterns.

They Know We Know They Lie

Isabella Solar Villaseca & Lou Mouw / Sweden & Denmark / 2024 / World Premiere / 24 min

Artists Isabella Solar Villaseca and Lou Mouw have created a complex work that interweaves three narratives to explore the tensions between personal and collective memory in a rapidly changing urban landscape. Through fragmented reflections and visual glitches, ‘They Know We Know They Lie’ gives voice to experiences of alienation and entrapment in a city transformed beyond recognition. The lyrics delve into themes of debt, credit and intimacy, depicting the changing role of the home – from a space of belonging to a symbol of social and economic inequality.

W.O.M.B. (Worth of My Body)

Julienne Doko / Denmark / 2025 / World Premiere / 10 min

Becoming a mother brings many changes: the relationship to your body, to time and material things, to the sense of identity and heritage. Dancer, choreographer and artist Julienne Doko invites us to reflect on the body’s ability to change through the different cultural perceptions of motherhood in a performative work that celebrates the body that bears signs of having created life. In English, the term ‘stretch mark’ shows a negative assessment of body changes. In Doko’s native language, Gbaya from the Central African Republic, the marks are called ‘ancestral tattoo’, a word charged with pride in the continuation and transmission of life.

4.48 Dysphoria

noah holtegaard / Denmark / 2025 / World Premiere / 12 min

British playwright Sarah Kane’s final piece, ‘4.48 Psychosis’, is a text addressed to a future lover who is not born until after her death, written from a butch-lesbian, gender non-conformist perspective. Noah Holtegaard’s video work ‘4.48 Dysphoria’ is a response to the piece, and is addressed to Kane himself. Here, the text speaks back from the perspective of the future lover in a kind of melancholic declaration of love to the queer people who came before them. Kane committed suicide in 1998 at a time when trans people were still considered mentally ill. Holtegaard was born a year later, and the work honors the trans and queer people who paved the way for the present.

Movement

Benjamin Muasya / Denmark / 2025 / World Premiere / 20 min

‘Movement’ celebrates the universal, unifying power of the dancefloor and the people who put their heart and soul into keeping underground clubs going against all odds. In September 2023, a group of organizers from Istanbul’s Sirän collective met with Endurance from Copenhagen to explore the political potential of the club scene, where people come together to both live out and dissolve their differences in one unified, transcendental movement on the dance floor. Benjamin Muasya documents the solidarity and the conversations and thoughts behind the two underground scenes in ‘Movement’ at a time when the pressures of society – and the gentrification of the world’s cities – loom over the international club scene.