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CPH:CONFERENCE - DAY 2: DIALOGUE 2
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      Marts 11. – 22. 2026

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          CPH:CONFERENCE - DAY 2: DIALOGUE 2

          AI and the Future of Storytelling Panel Rekindling the Machine: Documentary in the Age of AI

          12:10 - 13:00 Onsdag 18. marts 2026 / 50 min

          In this panel, filmmakers, policy experts and critics move past the usual doom-or-utopia debate to ask harder questions: How can filmmakers navigate the narrative terrain of technological change and tell complex stories that surfaces power dynamics? Who should own the data, the tools, the infrastructure?

          The conversation about AI and filmmaking often gets stuck between enthusiasm and dread. The dominant AI narrative portraits a single trajectory towards universal goals. It justifies footage becoming training data, craft automated without consent. And the tools we are offered were designed for markets, not stories. In this panel, filmmakers, policy experts and critics move past the usual doom-or-utopia debate to ask harder questions: How can filmmakers navigate the narrative terrain of technological change and tell complex stories that surfaces power dynamics? Who should own the data, the tools, the infrastructure? We examine how filmmakers can move from “users” to “architects” of human-centric storytelling. An honest discussion about a landscape shifting faster than our frameworks for understanding it.

          Hosted by: Doc Society, BFI

          More speakers TBA.

           

          Speakers

          Marc Silver

          Marc Silver is currently releasing his 5th feature length documentary Molly vs THE MACHINES, the story of a heartbroken father’s quest to uncover the truth behind his daughter's 'death-by-algorithm' and his fightback against how the most powerful corporations of the modern age operate.

          Anna Engelhardt

          Anna Engelhardt is a video artist whose work gives cinematic form to the afterlives of material violence. Grounded in forensic research into sites of extraction and occupation, her essay films combine fiction and documentary within toxic landscapes.