A WORLD REVEALS + VIND + ENTERPRISE

A World Reveals

Lars Greve, Andreas Johnsen / Denmark / 2023 / 32 min / World Premiere

Artist and musician Lars Greve’s performative one-take work is a corporal trip through an abstract space, where the improvisations of a clarinet resonate with almost cosmic force.

Breath is the source of all things in ‘A World Reveals’, which in a single, virtuosic take documents an improvised clarinet performance in a huge, abstract factory building. Breath blowing life and sound into its instrument, echoing out into the room’s own ventilation ducts. With veteran film poet and documentarian Andreas Johnsen behind the mobile camera, artist and clarinetist Lars Greve has created a minimalist, audiovisual and transdisciplinary work where every element stands pure and clear with an almost ritualistic power.

Vind

Frederik Worm, Cæcilie Trier / Denmark / 2023 / 49 min / World Premiere

‚Vind’ is a still image film composed of photography by artist Frederik Worm and instrumental compositions by musician and composer CTM.

Created as a unique experience for the cinema ‘Vind’ adresses the fundamental question of place —Where? — and the threshold between solitude and participation in contemporary subjecthood. As a collaboration the film is concerned with facilitating encounters as well as problematising and speaking of ideas of hospitality. Music and images largely refrain from giving a representation of human beings, under which condition the initial question develops into: “How did I come here?”, “What made me?” and “What do I bring?”.

Enterprise

Freja Sofie Kirk, Kamil Dossar Franko / Denmark / 2023 / 10 min / World Premiere

An audiovisual work set to new music by composer August Rosenbaum, created by the artists Freja Sofie Kirk and Kamil Dossar.

Enterprise is an audio-visual collaboration with musician August Rosenbaum featuring songs from his album “Songs People Together”. Freja Sofie Kirk and Kamil Dossar shot it on a road trip through the suburbs of Las Vegas and its surrounding landscapes. We look at empty rooms in single-family houses, with its furniture as the only human trace. The architecture and interior points to a trope of the american home: Spaces we have consumed through images, but have no lived experiences with. With a gaze that is both engaging and alienated a romanticism unfolds. Everything seems real, but looks like a set. Something is about to happen, but that something never happens.